I played through a Les Paul with P90's and a Les Paul with mini-humbuckers. They don't exactly sound like either of my guitars, but that's cool. We listened to amps. Lots of amps.
Ethan has fixed up a bunch of very cool guitar amplifiers. He's got an old Rickenbacker amp which is essentially the same as a Fender Deluxe. It was awesome 'cept for the tear in the speaker. He's got a '65 Ampeg which sounded amazing - all chime and... well it just sounded like 1965. And his '65 Vox Cambridge was exactly what you'd expect from a '65 Vox. (When I originally published this I thought the Cambridge was a '64 but it ain't, it's just exactly as old as I am. In better shape though.)
But the amp we were looking for was what we thought a second Tyrannosaurus Mouse amp should sound like. I have my Lil' Dawg Mutt, which is basically a Deluxe front-end with a Champ power section, and it sounds awesome. What I want is that second amp which would be cleaner - sounding and which I'd play at the same time.
|Beverly Road "Q" - train stop.|
What I found most interesting is that my favorite amps had a very smooth response across the guitar and a sort of "three dimensional" sound. You could hear beyond the speaker like the sound came from a few feet behind the amplifier. The Princeton Reverb and the Tremolux were the most smooth and three dimensional. We cross-patched the channels in the Tremolux head, which seemed to give it an even better sound (even more "smoove" and 3D I felt).
My feeling was the Princeton Reverb was the best - sounding for my needs. Which didn't mean that there weren't a dozen more amazing freakin' amps, but they'd be #1 for different applications.
And one day I'll write what my thoughts are on touch sensitivity...
On the way home I took this picture of the unique Q/B train station at Beverly Road in Brooklyn.
*That's a bit of hyperbole, he only had a kabillion of 'em.