So I'm listening to my buddy Chance's band, Delicate Cutters
, on Spotify (because my CD and T-shirt haven't come in yet.)
- I'll probably never open the CD case and just listen to them on Spotify.
But that's not the only thing I was thinking.
- Female vocals are a funny thing. Like violins.
They sound they typically make doesn't "develop" until you get a few feet away from them.
But the popular way to record female (and, well, all pop vocalists) is to close mic them. And then kittywhump them with more compression than your grandma knows what to do with.
The effect of this is to make it sound like you're way down the vocalist's throat. You hear every tiny noise they make. This is especially true on ballads. I suppose it sounds "sexier". Perhaps that's because you never hear a woman's voice like that unless she's whispering in your ear in bed.
But Delicate Cutters don't do that super close-mic sound (which is frequently marked by pops on the letter "P" which sound -- to me -- like someone's kicking a mic stand). If I were producing a record like that I'd be inconsolably terrified of not sounding "professional". Which is ironic because even super-expensive albums by Sarah Mclachlan have both that "in your face" sound and some low frequency whumps that seem designed to smash your stereo.
Oh right, Delicate Cutters
. They don't get too close with the voice. And it sounds great that way. The band itself sounds like it's in a "room" and not in the sort of fake bombastic space most pop records seem to exist in.