Playing my SG today. The pickups are freaking loud. They're about as hot as the humbuckers in my Les Paul.
I recorded a bit of things to be able to hear the difference between the neck and bridge pickup. I started out more happy with the bridge but eventually I learned a bit about rolling back the neck to make it sweeter.
Yeah, the guitar goes wildly out of tune there in the middle.
The instrument plays really well. The amps I have respond very differently from the way they respond to other guitars. And that's just the truth of it.
I think it's interesting the way a particular instrument will lead you to play it in a particular way. Your feel and technique will change and adapt to (say) this particular guitar.
The clean stuff has a very nice chime to it. And it can certainly go into that hairy distortion of complete freak out.
I recorded into my Mutt with the 12" Celestion Alnico Blue. An AKG 460 microphone was a couple feet from the cabinet. I added some delay (you know, to be more like Live at Leeds) and some compression (but not much, most of that is just the sound of the whole thing). The volume pots are rolled back on the guitar (except for that one obvious place). And the Mutt was far from dimed -- it's at about 2 o'clock. Channels jumped.
Subscribe to:
Post Comments (Atom)
Moving the Blags
I'm re-consolodating my blogs. I know, you wanted them separate. But my little mind just doesn't work that way. All my blogging -- ...
-
Rather than wasting Bandcamp's drive space with slightly newer and different versions of mixes, I'm just going to keep updating the ...
-
Native Instruments is bummin' me out man. I bought a crossgrade bundle of their "Komplete 9" software. I got it from Sweetwate...
Nice recording! That guitar plays like it looks, neat and sexy :)
ReplyDelete