But drums are a very big deal and hard to get right. And the fact is that on a normal album you spend a relatively minimal amount of time actually recording the drums as compared to overdubbing vocals and (for Pete's sake) mixing.
Also, since the advent of the drum machine the number of studios and rooms which are any good for drums has plummeted.
Recording at Stan's the other day has made me think briefly about how Tyrannosaurus Mouse might record drums, if we were to record drums.
A kick and two room mics are all you need, right fellas? Right? Actually and for serious I cannot tell you how awesome a kick and an overhead can sound. With a nice kit and a good room that's all you need. Right?
Who am I trying to convince here?
The fact is that buying the multi-channel converters and preamps and microphones just to record drums doesn't make much sense when you can spend the whole day in a studio which already has that gear (and a good drum set) is just $600 or so.
|This Danny Thompson work looks like the inside liner to an album to me.|
WPRB in Princeton has a list of venues in NYC and Philadelphia and between. It's a tad out-of-date but has a lot of venues on it.