Events

You can go here to buy the new album by Delicate Cutters and get a free t-shirt in the process. Chance Shirley is the drummer for the Cutters.

Ethan, the bass player of Tyrannosaurus Mouse, is playing with Chuck Dorman's Big Sticky Band at The Tony Lounge at New World Stages (340 West 50th Street between 8th and 9th Avenues) on Wednesday, June 29th from 9-Midnight!

Alien Queen

Alien Queen is the most awesome thing I've ever seen in my life. And that's only using a minimal amount of the hyperbole I am granted by the Internet. And I haven't even seen the show.
Why is this so awesome? How can I say this with so much conviction? I'll tell ya.
The music of Queen. The characters from Alien.

Nothing in the world is remotely as cool as this. Via Danny Thompson.

Drum Replacement

I got Twitter-spammed from a service that replaced drum sounds. Drumreplacement.com will take audio files and replace your kick and snare. I can see that working for a lot of bands. Not us, just because we recorded at Trax East and our drummer Lou, using his special drum-magic, always sounds freakin' great. Also, the room sound I think is critical to our sound as a band (and I don't just mean that all the hootin' and hollerin' I do). So replacing the kick and the snare would be counterproductive to us anyway.

If you're wondering why we haven't gone and mixed this record which we recorded 10 months ago -- it's 'cause I have no cash right now. I have two movies in the can, so hopefully some money will be coming in soon.

Sizing

Arie is a 48 extra long
So far he's the only one who's told me his size.
Shockingly, I don't even know my own size. Eerf. I'll be updating this page once more news comes in on this exciting subject.
UPDATE: Ethan is a 42
Lou doesn't know what his size is. He certainly doesn't want to wear a jacket while playing live.

Tell me you don't want these groovy guitar picks. That's Clayton Custom guitar picks. What I don't have right now is $69 to buy a hundred of them. I mean, we still have to mix our album yet. Not to mention get an oil projector and a Jabberwock. O. It is so hard to be me.

I'm pretty sure my guitar playing would be better if I had a set of these picks.

Longboard

E-mu makes a couple sweet keyboard controllers with built-in sounds. The Longboard is (relatively) cheap and has nice sounds. Certainly sounds that are more than adequate for live use.
The trick is that we have to build the keyboard we use into a prop organ or piano. Because it would look cool, that's why.

Where am I going to buy a ruffled shirt? I'm going to end up at a steampunk or a vampire place, aren't I? There are other options. There's a place in Easton, PA called "Reconstructing History". Of course, we might be back to Civil War uniform pieces.

Words and Music

Here is Bobbie Lurie's recording studio, Maverick Studios.

I've been practicing actually playing the guitar parts to Tyrannosaurus Mouse songs while singing. Singing and playing is really freakin' hard to do. Plus, I do really have to memorize those guitar parts. And the words. Sheesh.

It seems that I have a good three different sounds I need to get from my guitar(s). I suspect I'll need to hop from the Les Paul to the Blattocaster, sometimes even inside a given song.

What I need is someone to babysit me -- hand me guitars and continually reset my amplifiers during and between songs in order to get those sounds. Who will do this? We don't know yet. That person will likely have to help operate the Jabberwock.

Via.

Ethan on Bass Amps

What Ethan likes:

Ampeg - for "classic", tubby, slightly mid-heavy bass sounds of the 50s-70s.

Eden - for more modern sounds, but still able to do the classic thing if needed.

A note about Eden: There isn't actually a David Eden. Edens cabinets (and some early amps) were designed by David Nordschow, who also designed SWR's famous Goliath series a couple of years earlier. He later sold Eden out to a larger company and has recently started David Nordschow Amplification (DNA), which has a few cabinets out and is planning to release heads and combos soon. Rumour has it that Eden has gone downhill in quality and customer support since Nordschow's exit, but I don't know if that's really true.

Carvin - yeah, I know. Factory-direct only, so there's no way to try it first. Still, their stuff sounds good, works well and is very affordable.

SWR combos - some of them, anyway. More on this later.

Trace Elliot - if you can find their stuff used, it probably still works and sounds good.

What Ethan doesn't like:

SWR separates - their signature sound is too scooped for my taste. No mid push at all, just super-deep bass and treble. If the calander had stopped in 1989 these would be the best bass components in the world, but it didn't.

Berhenger - absolutely the worst quality you can get.

Ashdown - when Ashdown was British made their stuff was really good. Now it's dog shit. Doesn't sound good, either.

Hartke - get that crap away from me! Sure, it's reliable but it sounds like pooo!

Gallien-Kreuger and Genz-Benz - I put these together for the same complaint, which is that they're too sterile sounding and have too much mid-range bark. I also find myself wrestling with G-Ks EQ all the time to get any useful sounds out of 'em. Having said that, both brands have very good reputations for reliability and HUGE legions of fans, so my opinion on these must not be the only one out there. For their reliability alone, they'd be worth a test drive.

Okay, so let's look at some specifics:

There's an Eden Metro 2x10 combo at Sam Ash right now. It's a discontiniued model that sounds quite good, but it may be a bit big for the subway.

Sam Ash also has an old, early 70s Ampeg SB-12 flip-top. If you're not using a five-string and you like old-school thump, this is a GREAT amp. It, along with the Ampeg B-15, was a studio standard for about 20 years. BUT, it will have a little trouble keeping up with a drummer at anything other than the smallest of venues and old tube amps require a lot of care and feeding - even ones as reliable as an old SB-12.

Sam Ash also has a discontinued Aguilar combo - a tiny, little 1x12 that sounds nice. 500W, so no problem in the volume dept., but I did notice that the really low lows were a bit weak. Not much booty there.

I believe that Rudy's carries a little Mesa rig - I think it's called a Walkabout...? - that sounds really good and that thing is freakin' tiny. It might be a 1x10.

Markbass makes several really small combos that Guitar Center carries. Markbass is another company who's amps don't sound great to me, but loads of people love them, so what the Hell do I know?

Genz-Benz' Shuttle series is very, very highly regarded, and very lightweight and portable.  Personally, I hate the way they sound, but....

Carvin has a few very small combos in their catalog. The MB15 and MB12 are both well-liked by the internets and look pretty damn intriguing to me, too. Can't beat the prices, either! I would seriously look into these.

Used:

This is where things can get really interesting.

I just saw a Phil Jones Bass Pup "suitcase" amp on Craigslist for pretty cheap yesterday. I doubt it would be loud or deep enough for gigging, but it sure is portable. Might be worth looking into.

Rogue Music (30th Street) has two really little used combos in stock, as of last week. One Eden and one SWR. 1x10 or 1x12... I can't remember. Neither struck me as being very loud, but they were both cheap, in nice shape and VERY small and portable.

Other specific models to look for used would be:

SWR Workingman's 12 or 15 - The 15's a better all-around amp that could be used w/ a drummer in low-volume settings, the 12's much more portable and would work okay for coffee-house type gigs, but a drummer would bury it. Not much booty with the 12, either. I have a 12 that I bought used. I'm not in love with it, but it works. I see them used all the time.

SWR Baby Blue - I don't know if theses are made any more, but they're great for what they are. Not a whole lot of volume (2x8!), but they sound wonderful.

SWR Redhead - IMO, the best amp SWR ever made. A super-reliable, great sounding 2x10 combo. A little big for the subway, though. It's comparable to the Eden Metro. Carvin also made a knockoff called a Cyclops (I think) that was also killer.

Polytone, Roland Cube or G-K MB112 - these are all favorites with upright players who want just a little amplification. They're all very portable, super-reliable and very neutral-sounding. They're also pretty boring-sounding with electric bass, IMO. They all show up used quite a lot. They would be loud enough for a cabaret gig.

Peavy - the much-maligned Peavy has made a number of small, reliable combos. These guys will never get the respect they deserve.

I'm sure there's stuff I'm forgetting, but I've only had one cup of coffee.