Via Jonathan Newman, the Contemporary Classical Composer's Bullshit Generator. Here's mine:
My work aims to re-bar generatively-integral arts with modernly-ambiguous chords whilst composing certain pitches or psycho-extended tessituras. Recently, I have started to embrace silences as a strongly-modernistic alternative to established forms of microtonal time-signature-experiences, which has made my work diametricly apparent. The fact that imitations tend to (at least in their aesthetic state), harmonically visualise, even in the presence of a strong element, is, you will agree, patently absurd. My latest piece begins with a rather musical 'sketch-aesthetic', before experimentally transforming the existing innovative material into a more Stockhausenesquely-quartal state, a process I term 'actively-rhythmic-examining'. Recently, I have started to embrace techniques as a strongly-integral alternative to established forms of choreographic device-installations, which has made my work innovatively predominant.