Samana Recordation

A pair of Neves. A pair of ATI tube preamps. A Tascam US-2000 interface. The City Samanas. Recording live. I have to figure this out.
The drum kit is small and conservative. One tom. The band is situated fairly close to one another. It just occurred to me that I don't enjoy close-miking snare drums.

1. The bass guitar I've been traditionally putting a Rode NT1 (which is sorta Neumann U87 looking and maybe even U47 sounding) up against the grill of the bass amp. The snare and a variety of other instruments will get into that mic. There's nothing I can do about it. Probably use a channel of the ATI on bass.
2. I bet the other channel of ATI will be as the drum overhead. I don't know what mic to use. If I go large diaphragm I could use another Rode NT1. Or I could use a Ear Trumpet Edwina. 
3. I get a Neve 1272 on my guitar amp. With an SM47 (not my Unidyne, I don't want to deal with bringing that mic out with me -- which is a joke because every other mic I have is more expensive but that one mic is a pain in the tuchus because everyone thinks they're so special now.) 
4. Just for balance let's give Greg the other 1272. 
5. Greg's vocal mic. Now that's interesting. We could give him another Edana. The signal will be hopped up with a Mackie mixer so it'll be hitting us at something around line level
6. The tom will go direct into a channel on the Tascam
7. So will the kick
8. And the snare, what the heck... I mean I have a kit for miking things I may as well use it. 

Now I just have to figure out that I have the right interconnects to get from the two preamps into the Tascam. The thing I don't have to worry about is monitoring -- there just isn't any. Problem solved.
There will be a world of bleed from microphones. But I think I can live with that.

I feel we need some psychedelic lights though. We definitely need psychedelic lights.