Sunday, July 23, 2017

Ghost Lover of Station 13

I've been on a tear doing some new music. Most of it is clearly under the umbrella of Pleasure for the Empire.
I've been enjoying my Allen Woody bass (with TI flatwound strings) a great deal. And it's been amusing me to play flute, er, badly. Sometimes I get it in tune, other times not so much (and the Melodyne pitch-correction built into Samplitude comes in super handy in that case.)

It's a bit odd to me that I seem to be doing this record all alone. I'd kind of stopped doing that over the last several years.
I'm doing a number of things. My go-to limiter is an emulation of an LA-2A by Waves. There's never any compression as I'm recording because, er, I have no outboard compressors. But the Advanced Dynamics in Samplitude has some magical properties.
On the master 2-buss I have Advanced Dynamics just to give the lower level stuff a bit of a "lift." Then I go into an LA-2A just lightly. Then into the Waves emulation of a Fairchild 670. But here's the trick -- I throw it into Lat/Vert mode which is a weird way to say "Mid-Side" mode and I compress the center a bit more than the outsides and this seems to really tighten up bass and kick drums. Then I do one last bit of compression with another Advanced Dynamics -- mostly just to prevent overloads.
The drums. Actually the drums are all internal instruments to Samplitude. I'm really surprised at how often I reach for those sounds before, say, Native Instruments sounds.
All the acoustic instruments are being recorded with the AKG C12A microphone into a Lindell preamp. I... I like the Lindells more (now) than I do the Neve 1272's. I find that (especially considering the price difference) er, disturbing.

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