I tried to repair a cheap flute by putting new pads on it. This did not work.
It did, however, make an aesthetically pleasing mess.
Problems included the screws for the swivel-rods that connect the keys being so old they fell apart while unscrewing, and a need to shave down the cork which I was unwilling to do because of how frustrating that is.
Thursday, March 30, 2017
Monday, March 6, 2017
European vs American threading
There is one irritating difference between US and European audio. The standard threads on mic stands. I mean, why is this?
Most boom poles and the like use the Euro standard.
What's the difference? Charles Poynton lays it out for you.
"Europeans don’t use a metric (SI) thread but a 3/8‑inch diameter thread – British Standard Whitworth (BSW), 16 tpi. The Whitworth standard specifies a 55° flank angle (typical of pipe threads), not the 60° angle of the Unified Thread Standard (UTS) or the the ISO metric screw thread. Abbreviated: 3/8″-16.
Many microphones having 5/8‑inch mount are shipped with an adapter that screws into the 5/8‑inch (“American”) threaded hole, and offers a 3/8‑inch diameter (“European”) threaded hole. Colloquially, this is a 5/8″-27 to 3/8″-16 threaded adapter."
Most boom poles and the like use the Euro standard.
What's the difference? Charles Poynton lays it out for you.
"Europeans don’t use a metric (SI) thread but a 3/8‑inch diameter thread – British Standard Whitworth (BSW), 16 tpi. The Whitworth standard specifies a 55° flank angle (typical of pipe threads), not the 60° angle of the Unified Thread Standard (UTS) or the the ISO metric screw thread. Abbreviated: 3/8″-16.
Many microphones having 5/8‑inch mount are shipped with an adapter that screws into the 5/8‑inch (“American”) threaded hole, and offers a 3/8‑inch diameter (“European”) threaded hole. Colloquially, this is a 5/8″-27 to 3/8″-16 threaded adapter."
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