Tyrannosaurus Mouse and our recording of The Porcupine's Dream.
This is actually the last take we did. The slate stopped working and the cameras ended up being... er... not in sync.
But this slower version of the song is my favorite.
I'm very happy with my guitar sound. Ethan's bass sound is the best bass sound I've ever personally recorded. I especially dig Greg's slide guitar. Lou is playing an electronic kit with Native Instruments Studio Drummer sounds. The Studio Drummer kit mixes so easily. The hi hats are so smooth and the kick just sounds great without any work.
Most of the channels are hitting multiple compressors before they even get to the master buss. At the master buss I have three limiters: a Samplitude "Ammunition" M/S compressor/limiter, and two Fairchild (emulation) stereo limiters set very very lightly -- one being stereo and the other being in M/S mode.
Oh, and another limiter on the master buss is the Samplitude "advanced dynamics" mostly lifting up the bottom part of the dynamics which is function that's almost impossible to explain but which I've discovered recently and sounds freaking noice.
So essentially there are 3 values to remember: The Program Loudness The Loudness Range The True Peak level Mixing for broadcast loud...
Here I talk more about the Kemper Profiler. I go on a bit compared to the last video and show you some different sounds. Here's som...
Here's something I'm not concerned with -- being "authentic". Whatever I'm doing, I assure you, I'm not being &qu...